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[-] Fauxreigner@beehaw.org 3 points 7 months ago* (last edited 7 months ago)

Depending on your use case, if you want something stiffer you could brush each sheet with slow curing epoxy resin, then layer and press it to create some DIY micarta (yes, micarta technically uses phenolic resin, but epoxy should work fine for most uses).

[-] Fauxreigner@beehaw.org 2 points 8 months ago

Yeah, their espresso is also roasted to death.

[-] Fauxreigner@beehaw.org 9 points 8 months ago

I think there’s massive untapped demand for things like mini city cars and kei trucks.

Not just that, but even the more middle ground small cars. I'd love to have an EV truck sized the way they were in the 80's/90's (which was more or less comparable to a midsize sedan, just taller). The push to bigger and bigger wheelbases to take advantage of loopholes in the efficiency standards really doesn't need to be reflected in EVs, but it's what all the major automakers are doing.

[-] Fauxreigner@beehaw.org 25 points 11 months ago

Nah, these accusations of racism from a company owned by an Apartheid era South African emerald mine heir are too racist.

[-] Fauxreigner@beehaw.org 2 points 1 year ago

Thanks for clarifying. There are a lot of misconceptions about how this technology works, and I think it's worth making sure that everyone in these thorny conversations has the right information.

I completely agree with your larger point about culture; to the best of my knowledge we haven't seen any real ability to innovate, because the current models are built to replicate the form and structure of what they've seen before. They're getting extremely good at combining those elements, but they can't really create anything new without a person involved. There's a risk of significant stagnation if we leave art to the machines, especially since we're already seeing issues with new models including the output of existing models in their training data. I don't know how likely that is; I think it's much more likely that we see these tools used to replace humans for more mundane, "boring" tasks, not really creative work.

And you're absolutely right that these are not artificial minds; the language models remind me of a quote from David Langford in his short story Answering Machine: "It's so very hard to realize something that talks is not intelligent." But we are getting to the point where the question of "how will we know" isn't purely theoretical anymore.

[-] Fauxreigner@beehaw.org 8 points 1 year ago

Current-gen AI isn’t just viewing art, it’s storing a digital copy of it on a hard drive.

This is factually untrue. For example, Stable Diffusion models are in the range of 2GB to 8GB, trained on a set of 5.85 billion images. If it was storing the images, that would allow approximately 1 byte for each image, and there are only 256 possibilities for a single byte. Images are downloaded as part of training the model, but they're eventually "destroyed"; the model doesn't contain them at all, and it doesn't need to refer back to them to generate new images.

It's absolutely true that the training process requires downloading and storing images, but the product of training is a model that doesn't contain any of the original images.

None of that is to say that there is absolutely no valid copyright claim, but it seems like either option is pretty bad, long term. AI generated content is going to put a lot of people out of work and result in a lot of money for a few rich people, based off of the work of others who aren't getting a cut. That's bad.

But the converse, where we say that copyright is maintained even if a work is only stored as weights in a neural network is also pretty bad; you're going to have a very hard time defining that in such a way that it doesn't cover the way humans store information and integrate it to create new art. That's also bad. I'm pretty sure that nobody who creates art wants to have to pay Disney a cut because one time you looked at some images they own.

The best you're likely to do in that situation is say it's ok if a human does it, but not a computer. But that still hits a lot of stumbling blocks around definitions, especially where computers are used to create art constantly. And if we ever hit the point where digital consciousness is possible, that adds a whole host of civil rights issues.

[-] Fauxreigner@beehaw.org 1 points 1 year ago

Freezing makes it easier to press once thawed, and changes the texture to be a bit meatier and less jelly-like.

[-] Fauxreigner@beehaw.org 2 points 1 year ago

You press for 12 hours after thawing? Mine always seems to have given up as much liquid as it can after 30 minutes if I've frozen it.

[-] Fauxreigner@beehaw.org 2 points 1 year ago* (last edited 1 year ago)

I have a suspicion that all of the layers of "Elon management" at Tesla and SpaceX have given him the idea that he's a brilliant innovator; he gives them all his outlandish ideas and they get filtered into (normally) reasonable plans, and they guide him down the path they want him to go down while he thinks the good idea is his. And those companies are both doing well, so clearly his style works, at least in his mind.

But then he bought twitter, which didn't have anyone devoted to protecting the company from him, and it's all going to shit.

[-] Fauxreigner@beehaw.org 1 points 1 year ago

Ahh, so less "hard to believe" and more "unpleasant to believe", that's fair.

[-] Fauxreigner@beehaw.org 4 points 1 year ago

The only other solution is that the richest person in the world (officially) is this stupid. This is almost harder to believe than a conspiracy to destroy twitter.

Why is that hard to believe? The mega-rich are not notably more intelligent than anyone else, they just started decades ago with inherited wealth and got lucky early.

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Fauxreigner

joined 1 year ago